Isaiah 42

This familiar tune is set, in canon, with three different texts for use at various liturgical times. It will be excellent as an introduction to the hymn, a short acclamation or an introit.

This simple and charming a cappella setting for Christmas is presented in the style and form of a spiritual. There's plenty for the choir to do, presenting the refrain and underpinning the solo verses, and

A great arrangement of a traditional spiritual. Straightforward and written in an accessible way for ease of learning. Ranges are reasonable and the bass section has some special moments to move the music

This a cappella arrangement by Andrew Everson has its roots firmly... view details

An ethereal a cappella choral piece that will challenge and gratify any choir who sings it. The eighth-century text by Alcuin of York is rendered imaginatively and to good effect. Both choir and

This dignified and practical setting for the veneration of the cross is complemented by SATB voices and chant. The antiphon is in Latin and Greek, while the verses are in English. The writing is

This great spiritual-like setting of the familiar communion hymn is engaging and achievable by choirs that enjoy singing a cappella music. This more upbeat communion piece will be a welcome change to the

This well-known Advent carol is given an exceptional imitative treatment by James Clemens. While it is a cappella, it is also accessible to most choirs because of its excellent voice leading,

This song, based on Isaiah 61, extols the gifts of the Spirit and the hope in God's Good News. It is a wonderful piece that you will want to add to your Pentecost lineup.

This a cappella anthem is well written and harmonically paints the important event of Jesus' transformation. The choir works together in a hymnlike manner throughout with some imitation as the disciples

This snippet from "Pange Lingua" expresses our faith in the transformation of the bread and wine into the Body and Blood. Paul French has sensitively set the text to an expressive chant tune and given it a

Here is an Advent piece that checks all the boxes: simple, unaccompanied, uses a traditional text, has an accessible assembly part, and isn’t “O Come, O Come, Emmanuel.” Cliff Petty has